Tag: poetry

  • Cordoba

    A mass of yellow stone
    floating in the blue
    of the clear, brilliant sky above
    and the turbulent Guadalquivir below –
    its enormous bulk
    made weightless by the context.
    Ottoman Cordoba was a univer-city,
    a unverse with a small “u”.
    A mess of cultures,
    sweaty cross-fertilization –
    exciting,
    faintly indecent,
    infinitly productive.
    Not the golden mean of Aristotle,
    not the measured path of restraint –
    contorted co-mingling,
    intertwined but not melded.
    The way of Socrates –
    clear contradiction that is growth
    made stone.

  • Tragedy

    Tragedy is always an obituary. It takes a full life and reduces it to death.

  • Andalusia

    Andalusia is defined sharply
    by the semi-abstract shapes of its endless orchards.

    The land is crocheted in a clearly textured pattern:
    cotton – for olives,
    chenille – for apples

    The valleys are fluffy with blooming trees –
    I want to stretch out my hand and pet them.

    The overwhelmingly-vivid green of the fields
    screams for attention.

    Occasional ruins, softly mouldering,
    become more picturesque by the century,
    structure the landscape
    and give the eye a rest.

  • The Art of Walking on the Beach

    The beach is a special place, a narrow path
    between heights and depths, created by water.

    Precipitous cliffs on the right – concrete, huge, looming
    their weight makes them feel acute and real, like pain.
    It’s often said that life is pain – it is,
    but lasting pain is only an illusion
    created by the myth of lasting self.
    But so too is happiness – same logic
    applies.
    Avoiding one and chasing after other –
    a looser’s game.
    You stop the chase and acquiesce to pain.
    It lays quiescent
    and underpins your joy.

    Enormous sea on the left – deep, silent, inchoate,
    seamlessly transforming into sky.
    Three container ships in undifferentiated sea-sky,
    like ducks over the fireplace.
    Familiar, ridiculous and safe,
    creating anchor point
    for frightened gaze
    that’s lost in space and finding you in time –
    the time of progress.

    So you progress –
    you walk along the beach,
    twixt depths and heights,
    abandon and despair,
    between deficiency and excess,
    the middle way, the golden mean of Greeks.
    Temerity-timidity
    not much
    to choose between –
    one consonant, two vowels.
    The trick is not to chose or compromise
    but merely to tread between the two,
    not enter the extremes,
    keep in the middle,
    create the path anew with every move.

    What you really need is a thin line of firm sand,
    between loose dry and slippery wet,
    easier to walk on.
    Someone to hold by the hand,
    to not have to look down for solid footing,
    to see all that beauty.

    Extremes are always ugly,
    beauty is
    in golden mean,
    in-sink
    and in-between,
    a pattern in complexity, a path
    that unifies variety and us.

  • A sunny day at the cemetery

    A sunny day at the cemetery.
    The air is full of birds
    Chirping.

  • Canterbury tales

    When age is but a litany of loss,
    your life reduced to sorting through the dross
    of past achievements,
    when the age is grim,
    the time is to become a piligrim.

    Pligrim-age, a chance to re-assess
    priorities, to re-address the mess
    of habits and regrets and to redress
    the wounds inflicted on yourself and others
    by you and mothers, fathers, sisters, brothers –
    the loved and hated ones,
    the ones who form you
    and whom you shape.
    The people who will mourn you
    day in and out,
    as you live and breathe
    they mourn who you were and what is.
    What might have been…
    one can but disappoint
    while one is living.
    Death creates a point
    of no return,
    no future and no past.
    No possibility of loss at last.
    Woebegon – for woe to be gone
    we stop the clock at death and then move on.

    Obituaries are but tales that bend
    realities into the shape of stories
    including start, the middle and the end
    that banishes not sadness, but the worries
    and when the last uncertainty is gone
    piligrimage is finished.
    Life is done.

  • Moonscape

    Perfectly circular moon seems glued to the sky.
    Low, yellow, flat – like a piece of parchment.
    Dry and uneven.

    Street lamps holding up to it fistfulls of yellow glow –
    sacrificial fireflies.

    I feel flat, stuck to the landscape like a rough sketch.
    Eclectic collage of bits held together with glue.

    Unmoving.
    Unreal.
    Unalive.

  • Present

    There is pain aplenty in the past,
    there is time unmeasured in the future,
    and the present – rough, uneven suture,
    tries to form a scar that wouldn’t last…

  • Choices

    Choices are difficult.
    You choose life and passion –
    of course you do!
    But there,
    in the centre,
    in the shadows and folds,
    death lurks.
    Decay of complacency,
    lack of emotional investment today
    breeds the boredom of tomorrow,
    black mold overgrowing your passion,
    smothering it in a soft, furry blanket,
    killing it through comfort,
    illusion of safety,
    abdication of control…
    To keep life
    you have to keep choosing it
    every day,
    every hour,
    every minute.
    And you do –
    of course you do –
    until you tire
    and let the mold take over.

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